Why?
Two reasons:
First, because it wouldn’t matter. The Avengers has already made a ton of
money and is in the process of making its second ton.
And second, my blog is not about
reviews. There are ten thousand other sites you can visit for reviews. Nearly
all of the reviews for The Avengers have
been positive (although some, like Roger Ebert’s, are positive if lukewarm),
but this hardly matters anymore.
Why doesn’t it matter, you ask?
How many times have you heard, or
have you yourself said, “I don’t listen to the critics,” when discussing a
film? Be honest. I’ll even be honest, I’ve said it quite a few times. There are
movies I didn’t like that the critics loved and there are movies that I liked
that the critics hated. It happens. A difference of opinion. Critics are, after
all, human. Perhaps that critic just happened to wake up on the wrong side of
the bed that morning. Maybe that critic just caught their spouse in the arms of
another man and is in no mood for the latest perky rom-com that Hollywood has
to offer. Maybe critics have seen so much they are numb, and a film has to be
amazing for them to feel anything. Maybe critics only like movies that are
grainy, foreign, black and white pictures, devoid of plot but full of
“meaning.”
Ah-ha.
Now we’re getting somewhere.
For many, that is the image we
conjure up whenever anyone mentions “The Critics:” stuffy, older, pudgy
gentlemen, with unpleasant dispositions, a thesaurus at their side, bookmarked
to “bad,” ready to call us simpletons for daring to enjoy a Hollywood
blockbuster.
Some of you may see me that way.
(Side note- one of my favorite
jokes about critics comes from the mid-nineties animated series “Freakazoid.”
In this particular episode, critic Leonard Maltin – playing himself- introduces
the cartoon, saying, “At first critics loved this cartoon, but then they found
out it wasn’t foreign.”)
These are The Critics, over
educated people with a stick up their ass just aching to get on TV and be
derisive. They’re like political analysts, wretched human beings who complain
and criticize, but do nothing to help.
Unless you happen to agree with
them, then they are the voice of reason in an insane world.
The funny thing is, there are now
more critics than ever. Between newspapers, television and the internet,
anyone, anywhere, can publicly state his or her opinion no matter if it is
intelligent, slap-dash, reasonable, pig-headed or completely off-topic.
Everyone’s got an opinion and everyone is able to share it. Sadly, this means
that the ones worth listening to get lost in the noise.
Film criticism used to be limited
to those who were experts, but no longer. Go to rottentomatoes.com and gaze in
horror at the sheer number of critics out there. And remember, those are just
the ones that they listen to.
So, why do they do it? I believe
that the majority of critics do it because they genuinely love movies. There is
a thrill when you see something truly wonderful and you go out and tell others
about it. You have witnessed a masterpiece and you want to shout it from the
mountaintops. Granted, those moments, when you strike cinematic gold, are few
and far between, but when they do come, you’ll find critics dancing like Walter
Huston in The Treasure of the Sierra
Madre.
I used to write film reviews for my
college paper, and can tell you that there is more than a few of those reviews
that I no longer agree with, some I even disagreed with by the time it went to
print! I can recall the time I was invited to a sneak preview of Pay it Forward that started at eight
o’clock. My college paper wanted the review by eleven that night, which gave me
an hour, more or less, to write up my response. I spoke highly of the film,
but, as the hours and days passed, I thought about the picture and realized
that it wasn’t very good after all, but it was too late to change my review.
Sometimes, we must let a film
digest for a while, really absorb it, think about it, play it over again in our
minds, respond rather than react. The movies don’t change, but our perceptions
of them do. I can think a of a few films that I did like upon initial viewing
that I thoroughly enjoy now (Fargo, Dr.
Strangelove) and some that are the exact opposite (Clerks, Serenity). That movie is the same movie, but I’m not the
same person.
You can ask me today what I think
of a new movie and I’ll tell you, but, just for shits and giggles, ask me again
in five years.
Just remember, ladies and
gentlemen, critics are only trying to help. You don’t have to take their advice
or heed their warnings. You are free to see and enjoy any movie you wish. I’ll
even go see it with you.
If you’re buying, that is.
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